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Digital Hollywood
Wednesday, May 7th
10:45 AM - Noon
Track I:
The Entertainment and Media Legal Issues
Piracy and Digital Rights Management: Legal, Legislative and Social Issues Surrounding DRM and Anti-Piracy Implementation
While there may be no short term fix when it comes to the evolving relationship of the digital technologies and its impact on music, film and information content distribution, what we can perhaps all agree on is that it is becoming a more sophisticated and complex relationship. As broadband grows, with it come not only threats to rights holders, but also potential solutions and new attitudes in public behavior. All the news is not bad. While the adversarial positions in the legal process may not be softening and the legislative proposals continue to weave through the system, there are many factors in the technological space as well as in the marketplace which may come to mitigate or even change the flow of history. In this session, we bring together a group of the primary players in the field, looking to exchange ideas and give us a roadmap for the future.
Stuart Rosove, General Manager, Digimarc
Albhy Galuten, Vice President, Digital Media Technology Strategy, Sony Corporation of America
Phil Lelyveld, former, V.P., Digital Industry Relations, The Walt Disney Company’s New Technology and New Media Group
Paul Jessop, Chief Technology Officer, IFPI
Nic Garnett, President, Interight
Fritz E. Attaway, Executive Vice President and Special Policy Advisor, Motion Picture Association of America, Inc.
David Hughes, Senior Vice President, Technology, Recording Industry Association of America
Brad Hunt, Digital Media Consultant, Moderator

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Albhy Galuten is Vice President of Digital Media Technology Strategy for Sony Corporation of America (SCA). In addition to his technological achievements, Mr. Galuten is a Grammy award-winning record producer, songwriter and arranger. Mr. Galuten joined SCA in March 2005, and is responsible for the Media Technology Group. The Media Technology Group assists with technology strategy and due diligence, research & development, relationships with the content industry and the development of standards. Before coming to Sony, Mr. Galuten was Senior Vice President, Advanced Technology, Universal Music Group. Under Mr. Galuten, eLabs and Universal’s Advanced Technology group provided: strategic advice to senior management in the technology space, performed technical due diligence of software, hardware and business systems, invented technology and filed patents. Under Mr. Galuten, the group also managed standards participation, negotiated technology licenses and provided technical support for lobbying efforts and trade organizations. Before working at Universal, Mr. Galuten was a Vice President at ION where he created and developed the Enhanced CD. Prior to working in technology Mr. Galuten was a musician and record producer. In 1978 he won two Grammy awards including Producer of the Year. His original compositions and orchestrations for Film, Theatre and on record have won him a Dramalogue Award and two BMI Awards. During his music career which spanned more than 20 years, Mr. Galuten worked with numerous multi-platinum artists, produced eighteen No. 1 singles, and generated sales of more than 100 million records.

Fritz Attaway is an Executive Vice President and MPAA Special Policy Advisor. Reporting to Chairman and CEO, Dan Glickman, and President and COO, Bob Pisano, Attaway provides legal advice and direction for all federal public policy activities of the association. Attaway also participates in the management of worldwide public policy interests for the association and its member companies. The issues of primary concern to MPAA include communications, copyright, and international trade matters impacting MPAA member companies. Attaway joined MPAA in 1976 after serving as Attorney-Advisor in the Cable Television Bureau of the Federal Communications Commission where he was involved in numerous rulemaking proceedings concerning cable television and pay TV. He was promoted to Vice President of Congressional Affairs in 1978, was named Senior Vice President in 1986, and Washington General Counsel was added to his title in 1993. In 2005 his title became Special Policy Advisor. He has held the post of Executive Vice President since 2000. In addition to his position at MPAA, Attaway is an officer of the Motion Picture Association which represents MPAA member companies abroad, and serves on the board of directors of The Copyright Collective of Canada. Attaway is currently a member of the Advisory Committee on International Communications and Information Policy of the U.S. State Department. In 1970 Attaway commenced his legal training at the University of Chicago where he was awarded a National Honors Scholarship. He received his J.D. Degree in June of 1973. Attaway is a member of the District of Columbia and Federal Communications Bar Associations and is admitted to practice before the Supreme Court of the United States, U.S. Court of Appeals for the D.C. Circuit, District of Columbia Court of Appeals, Supreme Court of the State of Idaho, and United States District Court for the District of Idaho. Attaway received his primary and secondary education in Caldwell, Idaho and attended The College of Idaho where he received a B.A., with honors, in 1968. He majored in political science and business administration. Attaway was born on July 12, 1946 in Detroit, Michigan and was raised in Caldwell, Idaho. He resides in McLean, Virginia and Jamestown, Rhode Island, with his wife, Pembroke.

Phil Lelyveld, former, V.P., Digital Industry Relations, The Walt Disney Company’s New Technology and New Media Group: The New Technology and New Media group supports more than 400 Disney business groups worldwide. Phil coordinates and participates in Disney's representation at multi-studio and multi-industry forums dealing with the transition from analog to digital; including such initiatives as content protection and content management, mash-ups, next generation DVD, mobile/wireless, digital cinema, enhanced/interactive TV, Internet, and HDTV. He also works within Disney to make sure that all of the effected business units are aware of relevant developments, and provides support to individual business units on specific new technology projects, including evaluation of investment opportunities for Disney’s VC arm, Steamboat Ventures. He is actively engaged in efforts to develop forward-looking content creation and distribution options that enable “sustainable business models in a leaky environment.” Prior to joining Disney, Phil was a strategic planning consultant to environmental, new media and high tech companies. His client list included Sun, Sybase, Oracle, ESRI, Trimble Navigation, and numerous start-ups. As Arco International’s Director of Exploration Computing Services, he built and managed the organization responsible for Arco’s worldwide use of computer-based resources for scientific purposes. Between his Bachelor’s and Masters degree, Phil spent 2 years doing earthquake prediction research in the Aleutian Islands for Columbia University. Phil has a BS in Civil Engineering (Geology/Music minors) from Tufts, an MS in Applied Geophysics from Stanford, and an MBA from UCLA.

Paul Jessop, Chief Technology Officer, IFPI: Paul Jessop acts as Chief Technology Officer for the RIAA on a secondment from IFPI, its London-based international counterpart. He heads the Technology and Standards department and oversees all the collective technical activity in the industry. He works closely with both associations’ legal departments on the evolution of internet related legislation and with industry anti-piracy experts in both the online and offline worlds. Central to the associations’ leadership in the transition to internet delivery of music is the development, promotion and operation of identification schemes – International Standard Recording Code (ISRC) for tracks and the Global Release Identifier (GRid) for electronic distribution – both of which are managed by Paul’s department. Paul is a Chartered Engineer, a Fellow of the Institution of Engineering and Technology and a Member of both the Audio Engineering Society and the Royal Institution of Great Britain. He obtained a degree in Engineering and Computer Science at Cambridge and a post-graduate Diploma in Management Studies at Oxford. Paul enjoys travelling with his wife and two sons, who are all qualified scuba divers. Paul is a Divemaster and has held an amateur radio licence since 1975. He recently returned to flying gliders in both the UK and the US.

Nic Garnett, President, Interight: Nic is a leading international authority on rights management and enforcement. He set up and ran the global anti-piracy operations for the recording industry from 1984 to 1999. He then joined InterTrust as its SVP in charge of its DRM standards development. Nic’s consulting practice, Interight, based in Mountain View, CA advises a wide range of clients on digital media and rights management strategies. In 2005 he was commissioned to write a major report on DRM and copyright law for the World Intellectual Property Organization. Nic holds law degrees from Cambridge University and Bordeaux University. He has worked throughout the world on rights management and has especially strong links to Asia and China in particular.

Brad Hunt, Digital Media Consultant: Mr. Hunt is a digital media consultant working with clients in the consumer electronics, computer, television, and motion picture industries. His consulting has involved work in digital rights management, online content distribution, content fingerprinting & watermarking, high-definition DVD managed copying, PCTV, home media servers, digital mobile TV broadcasting, and 3-D home video. Previous to consulting, he was the EVP & Chief Technology Officer for the Motion Picture Association of America. At the MPAA, he worked closely with the six major studios on content protection and anti-piracy initiatives and policymaking. Prior to the MPAA, he held the position of President & CEO of Cintel Inc., a manufacturer of digital film post-production hardware and software. Prior to Cintel, he was the SVP of Technology for All Post Inc., a Los Angeles based video post house where he established one of the first DVD authoring and MPEG compression facilities in the U.S. He also had a long career at the Eastman Kodak Company where he held jobs in research & development, marketing, international sales, and strategic planning and was responsible for launching Kodak’s Digital Motion Imaging Division. Mr. Hunt has a Bachelor of Science degree in Chemical Engineering from the Rose-Hulman Institute of Technology and an M.B.A. degree from the William E. Simon Graduate Business School at the University of Rochester. He is a member of the Academy of Motion Picture Arts and Sciences and a Fellow of the Society of Motion Picture and Television Engineers.